Westworld season 1 film
Of course, the episode still gives us flashes of the thoughtfulness and guile that made Westworld so fascinating last season: the pure actorly skill of Jeffrey Wright talking about Bernard’s dreams on a distant shore, the creepy-as-all-hell white “drone” robots darting about the secret lab, and even the poetic notion of reality being defined as “that which is irreplaceable” (and the not-complete honesty therein). Westworld lives and dies on the depth of its themes, and from what we’ve seen thus far, the success of this season will come down to how it examines the price of exercising retribution. We can call it irony, but for show so deeply concerned with criticizing the way villains view themselves, it sure is confusing to see a moment of direction that revels in it. And so, the challenge becomes clear: How can the storytelling feel like anything but the cycle of violence that it’s critiquing? That’s why no moment in “Journey Into Night” worried me as much as the moment when the Man in Black puts his hat on as if it were some grand triumph.
If anything, it makes us irrevocably divorced from their plights. Which brings us to the Catch-22 of depicting uncaring violence: It emphasizes the fact that these characters don’t care about such carnage, but it doesn’t actually make us care for them. I’m hard pressed to think of an hour of television filled with so many casual headshots and mangled, naked dead bodies. Watch: How Close Are We To Real-Life Westworld Robots? But now the onslaught of mortality is on, the threat is very real, and for this episode at least, we know all we need when we hear one line: “This will get gross.” As odd as it may be, the lack of real stakes is precisely what made the first season so interesting in comparison to the simple toggle switch of mortality itself. Sure, the Man in Black sits back up on his horse and tells us, “Now the stakes are real!” but that doesn’t really drive us in the same emotional way that Dolores and Maeve’s slow evolution into haunted consciousness did last season.
#Westworld season 1 film series#
For a lot of characters, it merely rearranges a series of more mysterious MacGuffins, codes, and half-cocked alliances team-ups as Character X goes to Place Y to do something only vaguely motivated as they walk across the desert and watch things happen from a distance. Starting with the basic dramatic level, the episode doubles back on a lot of troubling plot mechanics that popped up in season one. And now, we face the fallout of such violence, the ebbing wave of a brutal crest.īut I’ll be honest: I’m a little worried after watching “Journey Into Night.” Everything about the first season was engineered for its thrilling finale, from the dawn of robot consciousness to the slow, stewing buildup to revolution itself. Designed to look like a DNA strand, the bridge is a perfect fit for Westworld’s genetics- and data-obsessed universe.Westworld season two was always going to be a tricky prospect. One of the obvious spots was the Helix Bridge, a 280-meter-long overpass on the Marina Bay.
#Westworld season 1 film movie#
Inspired by the Spike Jonze movie Her, Westworld’s showrunners traveled to Singapore to film amongst its breathtaking architecture, according to an interview with Variety. Below, we explore a few stunning film locations that brought season 3 to life-and share where you can see them from afar. Now’s not a good time to hop on a plane, but we can take a page from Ingels if we want an escape from reality: All you need is a screen.
Part of their success is owed to the very real buildings the show tapped for filming, in locations including Singapore, Spain, and Los Angeles.
Using his yet-unbuilt concepts to infuse cityscapes with the glitter of digital futurism, the showrunners weaved a seamless web between reality and fiction. To create the gleaming fortress where host-gone-rogue Dolores plans her revenge, Westworld creators used the insight of Bjarke Ingels, a Danish architect known for his inventive designs. But that doesn’t mean they aren’t fun to visi t-from the safety (and reality) of our couches. Westworld Season 3 has finally arrived, and already we know its futuristic megacities aren’t quite the sleek-steel utopias they purport to be.